The whole point of postmodernism and cultural Marxism is to run beloved cultural icons into the ground, and to re-imagine them in a way that furthers their gradualist agendas. In the case of the new Star Trek Discovery and Star Wars sequels, there must be teenage angst, contrived tension, drama for the sake of drama, overpowered characters, and intentionally placed logical contradictions in both the plot and universe, because that […] Read more »